The EY Exhibition: Van Gogh and Britain
Tate Britain 2019
the man who isn’t
with anyone
stops alongside
different people
choosing them
over the paintings
he has birds
in his arms
and loose locks
of hair made from thought
there are small lives
within the frames of paintings
having candlelit dinners
and the last door
out of the exhibition
will begin to sound
like a trombone
taking leave
of someone
we hear the chatter
between airlocks
it’s news of a hundred
and two decades old
as the hours close
in on themselves
the trombone reflects
on Louis Armstrong
talking to Vincent
backend rain…
a pair of canvas boots
framed by the door
Alan Summers
Reblogged this on Haikutec’s Weblog and commented:
When I went to this Van Gogh exhibition, things happened beyond the paintings. It’s an extraordinary experience being with Van Gogh, because people are drawn there, as if he is a talisman, but we are never aware of the different ways he reaches out to all of us. But something changes, the air is charged, I witnessed people gathering courage for non-art related challenges, and somehow he helps, with, and beyond, the paintings themselves.
Perhaps because he suffered so much from one lost love and somehow survived, despite being incredibly scarred. He gave everything back to another experience which somehow benefits others that he would never know.
“Van Gogh’s combat fatigues” is about one very young woman going through great changes at a time of social uncertainity. She wore combat fatigues with Van Gogh art, and I think Vincent will stay with her.
How I wrote about the paintings and the people past and present comes from two new exercises I’ve developed. I’m delighted that a big exhibition, in September, has invited myself and Karen (Call of the Page), and it will be about some of the art that had such a large impact on Vincent van Gogh. Intrigued?
Alan Summers
co-founder, Call of the Page
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The haiku has a seasonal reference!
backend rain…
a pair of canvas boots
framed by the door
Note: backend = autumn rain (North of England word)
Alan Summers
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This video clip of Willem Dafoe in the new Van Gogh biopic “At Eternity’s Gate” will help explain:
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And this science fiction treatment if Vincent van Gogh could visit one of the exhibitions:
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The Tate Britain Van Gogh exhibition 2019:
https://www.tate.org.uk/whats-on/tate-britain/exhibition/ey-exhibition-van-gogh-and-britain
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the ey exhibition van gogh and britain large print guide – Tate
https://www.tate.org.uk/file/large-print-guide-ey-exhibition-van-gogh-and-britain
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Hello Alan,
I am always fascinated when I discover that another that is fascinated by the same things I am fascinated – in this case – Van Gogh’s art and life story and how is this world of his understood, translated by art lovers, poets.
I myself have written recently a monostich inspired by Van Gogh’s black boots.
I very much like your “backend rain…” ku. I like that you dared to use a regional seasonal reference! I find that seasonal reference/kigo strengthens haiku.
Kind regards,
Reka
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Dear Reka,
Thank you!
As someone previously in a completely different type of activity, decades ago, the observation of footwear was extremely important for different reasons. That required observational discipline has certainly come useful in writing activities now.
I hope to see your Van Gogh boots somewhere!
https://www.vangoghmuseum.nl/en/collection/s0011V1962
Although Van Gogh only lived in three different places in England, and they were in the South East, with Ramsgate being one place, I felt the regional name for Autumnal rain, gave a flavor.
many thanks again!
Alan
Alan Summers
Call of the Page
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Dear Alan,
Some other lines that caught my attention and memorized them are:
.
he has birds
in his arms
.
Deep inside these two lines an entire story is buried! One shall only dig for it.
P.S.
My “Van Gogh boots” monostich was published at Fresh Out: An Arts and Poetry Collective, an exclusively Facebook based journal.
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Hopefully I’ll catch your monostich if your work is tweeted, that’d be wonderful.
warm regards,
Alan
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Alan,
So glad for your note on backend rain.
In
Texas, our rain references would not find a poetic meter:
Frog-stranglin’ tain
gully-washer rain
.
Van Gogh is an unfolding adventure of study through out my adult life.
Recently, in an art-documentary I watched on Michelangelo Merisi da Caravaggio, Vincent came up as a parallel to Caravaggio, as a potential victim of lead poisoning from the paints used at the time.
.
Good wishes on the exhibition.
.
Jan in Texas
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Hello Jan in Texas,
I like “gully-washer rain”. I do find it poetic.
Reka
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So sad that Jan has passed away. Thank you for your comment and like Reka, I love both of these!
frog-stranglin’ rain
gully-washer rain
They definitely have poetic meter!
warmest regards,
Alan
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Reblogged this on veredit-iertes and commented:
Another brilliant piece of modern lyric by Alan Summers!!
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I’m very thankful for this special walk through a Van Gogh exhibition and I’m pretty sure that the Master himself would be thrilled about your great lyrical sequence Alan! There are a lot of little gems included like
– the man who isn’t
with anyone
or
– loose locks
of hair made from thought
and all the other points which the colleagues have already mentioned. LOVE !!
warm regards,
isabella
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Thank you! I feel the new exercise I’ve developed is working then! Yes, Karen liked those parts, and she is extremely hard on my work.
After watching a trailer for the Willem Dafoe film about Vincent van Gogh, I hope he appreciates how people are stunned by his work, and see his work as a touchstone for life in general.
Thank you!!!
warm regards,
Alan
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